AN R&H THEATRICALS TITLE
Rodgers & Hammerstein's The King and I: Youth Edition
Short Musical, Drama / 5w, 8m
Music by Richard Rodgers
Book and Lyrics by Oscar Hammerstein II
Based on Anna and the King of Siam by Margaret Landon
Original Choreography by Jerome Robbins
Image: 2019 West End Production (Matthew Murphy for MurphyMade)
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Cast Size
5w, 8m -
Duration
60 minutes (1 hour) -
Subgenre
Adaptation (Literature), Period, Docudrama/History -
Target Audience
Appropriate for All Audiences
Accolades
Winner! 1952 Tony Award, Best Musical
Nominee: 1977 Drama Desk Award, Outstanding Musical
Winner! 1985 Tony Award, Special Award
Winner! 1996 Tony Award, Best Revival of a Musical
Winner! 1996 Drama Desk Award, Best Musical Revival
Winner! 2015 Drama Desk Award, Outstanding Revival of a Musical or Revue
Winner! 2015 Tony Award, Best Revival of a Musical
Details
Summary
In 1862, an English widow, Anna Leonowens, and her young son arrive at the Royal Palace in Bangkok, Siam, having been summoned by the King to serve as tutor to his many children and wives. The King is largely considered to be a "barbarian" by those in the West and he seeks Anna's assistance in changing his image, if not his ways. With both keeping a firm grip on their respective traditions and values, Anna and the King grow to understand and, eventually, respect one another, in a truly unique love story.
In this adaptation for pre-high school students, the content has been edited to better suit younger attention spans, but all the magic and beauty of the original are still in place. You and your students will be enchanted by the timeless story and the dazzling score, while at the same time learning about theater and its production.
History
The King and I opened on Broadway on March 29, 1951, starring Gertrude Lawrence and Yul Brynner. The show proceeded to run for three years, racking up 1,246 performances. It received five Tony Awards, including Best Musical, and honors for both of its stars. Valerie Hobson and Herbert Lom starred in the original London production, and the musical scored great successes in Australia, Japan, and throughout Europe—from Le Roi Et Moi in Brussels to Der Konig Und Ich in Berlin.
In 1956, Twentieth Century Fox released the motion picture version of The King and I with Deborah Kerr as Anna (with her musical voice provided by Marni Nixon) and Yul Brynner recreating his role as The King. An immediate success, The King and I became the second-highest grossing film of the year and was also critically acclaimed; nominated for nine Academy Awards, it received five, including the Best Actor Award to Brynner.
Over the course of 34 years, Yul Brynner played The King more than 4,600 times; first on stage, then on the big screen and then on television (co-starring with Samantha Eggar in the short-lived series, Anna and the King in the early '70s). He brought The King and I back to Broadway for two separate, triumphant engagements; the latter, the culmination of his farewell tour as The King, was presented in 1985, the final year of his life. At the conclusion of that run Mr. Brynner received a special Tony Award for his achievements.
A Broadway revival opened at the Neil Simon Theatre on April 11, 1996, starring Tony Award winner Donna Murphy as Anna and film star Lou Diamond Phillips as The King. Hailed by the critics and public alike, The King and I swept the triple crown of Broadway honors that spring, winning the Tony Award, Drama Desk Award and Outer Critics' Circle Awards for Best Musical Revival.
In 2015, Lincoln Center Theater presented a Broadway revival starring Kelli O'Hara, Ken Watanabe and Ruthie Ann Miles. Directed by Bartlett Sher, the show was a critical smash, earning nine Tony nominations and winning four, including Best Revival of a Musical.
Cast Attributes
Keywords
Performing Groups
- Time Period 19th Century
- Setting The King's Palace in Bangkok, Siam (now Thailand) during the early 1860s.
- Features Period Costumes
- Duration 60 minutes (1 hour)
Media
“Nothing has reached the same level of songwriting brilliance, political engagement and dramatic integrity all at once.” – Jesse Green, New York Magazine
“The King and I is the essence of musical theater, an occasion when drama, music, dance and decor combine to take the audience on an unforgettable journey.” – Houston Chronicle
“Having no delusions of grandeur, The King and I does not attempt to solve the problem of the East and the West. It never strays very far from the immediate needs of the people in the play while they are getting to know each other, as the key melody phrases it. But The King and I is a seriously intended and deeply moving experiment in human understanding. It richly deserves the affection everyone has for it.” – Brooks Atkinson, The New York Times
“More than any of the great golden-age musicals, for which Rodgers and Hammerstein forged the template with Oklahoma!, The King and I revels in spectacle. But its most impressive achievement is how it balances epic sweep with intimate sensibility.” – Ben Brantley, The New York Times
“The star of this production remains the show itself. It grows more impressive with each viewing.” – New York Daily News
“Has heart, drama, comedy... sets a new high standard for the musical stage.” – New York Daily Mirror
“The King and I yields a motherlode of classic songs, including ‘I Whistle a Happy Tune,’ ‘Getting To Know You,’ ‘I Have Dreamed’ and, of course, the show's signature tune, ‘Shall We Dance?’” – Los Angeles Times
Videos
Rodgers and Hammerstein's The King and I: Youth Edition
The King and I – Through Time and History
Music
Music Samples
- Musical Style Classic Broadway, Operetta
- Dance Requirements Moderate
- Vocal DemandsModerate
- Chorus Size Large
Licensing & Materials
- Licensing fees and rental materials quoted upon application.
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